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9
The war had jerked me out of the old life I'd known, but in the queer period that came afterwards I forgot it almost completely.
I know that in a sense one never forgets anything. You remember that piece of orange-peel you saw in the gutter thirteen years ago, and that coloured poster of Torquay that you once got a glimpse of in a railway waiting-room. But I'm speaking of a different kind of memory. In a sense I remembered the old life in Lower Binfield. I remembered my fishing-rod and the smell of sainfoin and Mother behind the brown teapot and Jackie the bullfinch and the horse- trough in the market-place. But none of it was alive in my mind any longer. It was something far away, something that I'd finished with. It would never have occurred to me that some day I might want to go back to it.
It was a queer time, those years just after the war, almost queerer than the war itself, though people don't remember it so vividly. In a rather different form the sense of disbelieving in everything was stronger than ever. Millions of men had suddenly been kicked out of the Army to find that the country they'd fought for didn't want them, and Lloyd George and his pals were giving the works to any illusions that still existed. Bands of ex-service men marched up and down rattling collection boxes, masked women were singing in the streets, and chaps in officers' tunics were grinding barrel- organs. Everybody in England seemed to be scrambling for jobs, myself included. But I came off luckier than most. I got a small wound-gratuity, and what with that and the bit of money I'd put aside during the last year of war (not having had much opportunity to spend it), I came out of the Army with no less than three hundred and fifty quid. It's rather interesting, I think, to notice my reaction. Here I was, with quite enough money to do the thing I'd been brought up to do and the thing I'd dreamed of for years-that is, start a shop. I had plenty of capital. If you bide your time and keep your eyes open you can run across quite nice little businesses for three hundred and fifty quid. And yet, if you'll believe me, the idea never occurred to me. I not only didn't make any move towards starting a shop, but it wasn't till years later, about 1925 in fact, that it even crossed my mind that I might have done so. The fact was that I'd passed right out of the shopkeeping orbit. That was what the Army did to you. It turned you into an imitation gentleman and gave you a fixed idea that there'd always be a bit of money coming from somewhere. If you'd suggested to me then, in 1919, that I ought to start a shop- a tobacco and sweet shop, say, or a general store in some god- forsaken village-I'd just have laughed. I'd worn pips on my shoulder, and my social standards had risen. At the same time I didn't share the delusion, which was pretty common among ex- officers, that I could spend the rest of my life drinking pink gin. I knew I'd got to have a job. And the job, of course, would be 'in business'-just what kind of job I didn't know, but something high- up and important, something with a car and a telephone and if possible a secretary with a permanent wave. During the last year or so of war a lot of us had had visions like that. The chap who'd been a shop walker saw himself as a travelling salesman, and the chap who'd been a travelling salesman saw himself as a managing director. It was the effect of Army life, the effect of wearing pips and having a cheque-book and calling the evening meal dinner. All the while there'd been an idea floating round-and this applied to the men in the ranks as well as the officers-that when we came out of the Army there'd be jobs waiting for us that would bring in at least as much as our Army pay. Of course, if ideas like that didn't circulate, no war would ever be fought.
Well, I didn't get that job. It seemed that nobody was anxious to pay me 2,000 pounds a year for sitting among streamlined office furniture and dictating letters to a platinum blonde. I was discovering what three-quarters of the blokes who'd been officers were discovering-that from a financial point of view we'd been better off in the Army than we were ever likely to be again. We'd suddenly changed from gentlemen holding His Majesty's commission into miserable out-of-works whom nobody wanted. My ideas soon sank from two thousand a year to three or four pounds a week. But even jobs of the three or four pounds a week kind didn't seem to exist. Every mortal job was filled already, either by men who'd been a few years too old to fight, or by boys who'd been a few months too young. The poor bastards who'd happened to be born between 1890 and 1900 were left out in the cold. And still it never occurred to me to go back to the grocering business. Probably I could have got a job as a grocer's assistant; old Grimmett, if he was still alive and in business (I wasn't in touch with Lower Binfield and didn't know), would have given me good refs. But I'd passed into a different orbit. Even if my social ideas hadn't risen, I could hardly have imagined, after what I'd seen and learned, going back to the old safe existence behind the counter. I wanted to be travelling about and pulling down the big dough. Chiefly I wanted to be a travelling salesman, which I knew would suit me.
But there were no jobs for travelling salesmen-that's to say, jobs with a salary attached. What there were, however, were on- commission jobs. That racket was just beginning on a big, scale. It's a beautifully simple method of increasing your sales and advertising your stuff without taking any risks, and it always flourishes when times are bad. They keep you on a string by hinting that perhaps there'll be a salaried job going in three months' time, and when you get fed up there's always some other poor devil ready to take over. Naturally it wasn't long before I had an on-commission job, in fact I had quite a number in rapid succession. Thank God, I never came down to peddling vacuum- cleaners, or dictionaries. But I travelled in cutlery, in soap- powder, in a line of patent corkscrews, tin-openers, and similar gadgets, and finally in a line of office accessories-paper-clips, carbon paper, typewriter ribbons, and so forth. I didn't do so badly either. I'm the type that CAN sell things on commission. I've got the temperament and I've got the manner. But I never came anywhere near making a decent living. You can't, in jobs like that-and, of course, you aren't meant to.
I had about a year of it altogether. It was a queer time. The cross-country journeys, the godless places you fetched up in, suburbs of Midland towns that you'd never hear of in a hundred normal lifetimes. The ghastly bed-and-breakfast houses where the sheets always smell faintly of slops and the fried egg at breakfast has a yolk paler than a lemon. And the other poor devils of salesmen that you're always meeting, middle-aged fathers of families in moth-eaten overcoats and bowler hats, who honestly believe that sooner or later trade will turn the corner and they'll jack their earnings up to five quid a week. And the traipsing from shop to shop, and the arguments with shopkeepers who don't want to listen, and the standing back and making yourself small when a customer comes in. Don't think that it worried me particularly. To some chaps that kind of life is torture. There are chaps who can't even walk into a shop and open their bag of samples without screwing themselves up as though they were going over the top. But I'm not like that. I'm tough, I can talk people into buying things they don't want, and even if they slam the door in my face it doesn't bother me. Selling things on commission is actually what I like doing, provided I can see my way to making a bit of dough out of it. I don't know whether I learned much in that year, but I unlearned a good deal. It knocked the Army nonsense out of me, and it drove into the back of my head the notions that I'd picked up during the idle year when I was reading novels. I don't think I read a single book, barring detective stories, all the time I was on the road. I wasn't a highbrow any longer. I was down among the realities of modern life. And what are the realities of modern life? Well, the chief one is an everlasting, frantic struggle to sell things. With most people it takes the form of selling themselves-that's to say, getting a job and keeping it. I suppose there hasn't been a single month since the war, in any trade you care to name, in which there weren't more men than jobs. It's brought a peculiar, ghastly feeling into life. It's like on a sinking ship when there are nineteen survivors and fourteen lifebelts. But is there anything particularly modern in that, you say? Has it anything to do with the war? Well, it feels as if it had. That feeling that you've got to be everlastingly fighting and hustling, that you'll never get anything unless you grab it from somebody else, that there's always somebody after your job, the next month or the month after they'll be reducing staff and it's you that'll get the bird-THAT, I swear, didn't exist in the old life before the war.
But meanwhile I wasn't badly off. I was earning a bit and I'd still got plenty of money in the bank, nearly two hundred quid, and I wasn't frightened for the future. I knew that sooner or later I'd get a regular job. And sure enough, after about a year, by a stroke of luck it happened. I say by a stroke of luck, but the fact is that I was bound to fall on my feet. I'm not the type that starves. I'm about as likely to end up in the workhouse as to end up in the House of Lords. I'm the middling type, the type that gravitates by a kind of natural law towards the five-pound-a-week level. So long as there are any jobs at all I'll back myself to get one.
It happened when I was peddling paper-clips and typewriter ribbons. I'd just dodged into a huge block of offices in Fleet Street, a building which canvassers weren't allowed into, as a matter of fact, but I'd managed to give the lift attendant the impression that my bag of samples was merely an attache case. I was walking along one of the corridors looking for the offices of a small toothpaste firm that I'd been recommended to try, when I saw that some very big bug was coming down the corridor in the other direction. I knew immediately that it was a big bug. You know how it is with these big business men, they seem to take up more room and walk more loudly than any ordinary person, and they give off a kind of wave of money that you can feel fifty yards away. When he got nearly up to me I saw that it was Sir Joseph Cheam. He was in civvies, of course, but I had no difficulty in recognizing him. I suppose he'd been there for some business conference or other. A couple of clerks, or secretaries, or something, were following after him, not actually holding up his train, because he wasn't wearing one, but you somehow felt that that was what they were doing. Of course I dodged aside instantly. But curiously enough he recognized me, though he hadn't seen me for years. To my surprise he stopped and spoke to me.
'Hullo, you! I've seen you somewhere before. What's your name? It's on the tip of my tongue.'
'Bowling, sir. Used to be in the A.S.C.'
'Of course. The boy that said he wasn't a gentleman. What are you doing here?'
I might have told him I was selling typewriter ribbons, and there perhaps the whole thing would have ended. But I had one of those sudden inspirations that you get occasionally-a feeling that I might make something out of this if I handled it properly. I said instead:
'Well, sir, as a matter of fact I'm looking for a job.'
'A job, eh? Hm. Not so easy, nowadays.'
He looked me up and down for a second. The two train-bearers had kind of wafted themselves a little distance away. I saw his rather good-looking old face, with the heavy grey eyebrows and the intelligent nose, looking me over and realized that he'd decided to help me. It's queer, the power of these rich men. He'd been marching past me in his power and glory, with his underlings after him, and then on some whim or other he'd turned aside like an emperor suddenly chucking a coin to a beggar.
'So you want a job? What can you do?'
Again the inspiration. No use, with a bloke like this, cracking up your own merits. Stick to the truth. I said: 'Nothing, sir. But I want a job as a travelling salesman.'
'Salesman? Hm. Not sure that I've got anything for you at present. Let's see.'
He pursed his lips up. For a moment, half a minute perhaps, he was thinking quite deeply. It was curious. Even at the time I realized that it was curious. This important old bloke, who was probably worth at least half a million, was actually taking thought on my behalf. I'd deflected him from his path and wasted at least three minutes of his time, all because of a chance remark I'd happened to make years earlier. I'd stuck in his memory and therefore he was willing to take the tiny bit of trouble that was needed to find me a job. I dare say the same day he gave twenty clerks the sack. Finally he said:
'How'd you like to go into an insurance firm? Always fairly safe, you know. People have got to have insurance, same as they've got to eat.'
Of course I jumped at the idea of going into an insurance firm. Sir Joseph was 'interested' in the Flying Salamander. God knows how many companies he was 'interested' in. One of the underlings wafted himself forward with a scribbling-pad, and there and then, with the gold stylo out of his waistcoat pocket, Sir Joseph scribbled me a note to some higher-up in the Flying Salamander. Then I thanked him, and he marched on, and I sneaked off in the other direction, and we never saw one another again.
Well, I got the job, and, as I said earlier, the job got me. I've been with the Flying Salamander close on eighteen years. I started off in the office, but now I'm what's known as an Inspector, or, when there's reason to sound particularly impressive, a Representative. A couple of days a week I'm working in the district office, and the rest of the time I'm travelling around, interviewing clients whose names have been sent in by the local agents, making assessments of shops and other property, and now and again snapping up a few orders on my own account. I earn round about seven quid a week. And properly speaking that's the end of my story.
When I look back I realize that my active life, if I ever had one, ended when I was sixteen. Everything that really matters to me had happened before that date. But in a manner of speaking things were still happening-the war, for instance-up to the time when I got the job with the Flying Salamander. After that-well, they say that happy people have no histories, and neither do the blokes who work in insurance offices. From that day forward there was nothing in my life that you could properly describe as an event, except that about two and a half years later, at the beginning of '23, I got married.
10
I was living in a boarding-house in Ealing. The years were rolling on, or crawling on. Lower Binfield had passed almost out of my memory. I was the usual young city worker who scoots for the 8.15 and intrigues for the other fellow's job. I was fairly well thought of in the firm and pretty satisfied with life. The post- war success dope had caught me, more or less. You remember the line of talk. Pep, punch, grit, sand. Get on or get out. There's plenty of room at the top. You can't keep a good man down. And the ads in the magazines about the chap that the boss clapped on the shoulder, and the keen-jawed executive who's pulling down the big dough and attributes his success to so and so's correspondence course. It's funny how we all swallowed it, even blokes like me to whom it hadn't the smallest application. Because I'm neither a go- getter nor a down-and-out, and I'm by nature incapable of being either. But it was the spirit of the time. Get on! Make good! If you see a man down, jump on his guts before he gets up again. Of course this was in the early twenties, when some of the effects of the war had worn off and the slump hadn't yet arrived to knock the stuffing out of us.
I had an 'A' subscription at Boots and went to half-crown dances and belonged to a local tennis club. You know those tennis clubs in the genteel suburbs-little wooden pavilions and high wire- netting enclosures where young chaps in rather badly cut white flannels prance up and down, shouting 'Fifteen forty!' and 'Vantage all!' in voices which are a tolerable imitation of the Upper Crust. I'd learned to play tennis, didn't dance too badly, and got on well with the girls. At nearly thirty I wasn't a bad-looking chap, with my red face and butter-coloured hair, and in those days it was still a point in your favour to have fought in the war. I never, then or at any other time, succeeded in looking like a gentleman, but on the other hand you probably wouldn't have taken me for the son of a small shopkeeper in a country town. I could keep my end up in the rather mixed society of a place like Ealing, where the office-employee class overlaps with the middling-professional class. It was at the tennis club that I first met Hilda.
At that time Hilda was twenty-four. She was a small, slim, rather timid girl, with dark hair, beautiful movements, and-because of having very large eyes-a distinct resemblance to a hare. She was one of those people who never say much, but remain on the edge of any conversation that's going on, and give the impression that they're listening. If she said anything at all, it was usually 'Oh, yes, I think so too', agreeing with whoever had spoken last. At tennis she hopped about very gracefully, and didn't play badly, but somehow had a helpless, childish air. Her surname was Vincent.
If you're married, there'll have been times when you've said to yourself 'Why the hell did I do it?' and God knows I've said it often enough about Hilda. And once again, looking at it across fifteen years, why DID I marry Hilda?
Partly, of course, because she was young and in a way very pretty. Beyond that I can only say that because she came of totally different origins from myself it was very difficult for me to get any grasp of what she was really like. I had to marry her first and find out about her afterwards, whereas if I'd married say, Elsie Waters, I'd have known what I was marrying. Hilda belonged to a class I only knew by hearsay, the poverty-stricken officer class. For generations past her family had been soldiers, sailors, clergymen, Anglo-Indian officials, and that kind of thing. They'd never had any money, but on the other hand none of them had ever done anything that I should recognize as work. Say what you will, there's a kind of snob-appeal in that, if you belong as I do to the God-fearing shopkeeper class, the low church, and high-tea class. It wouldn't make any impression on me now, but it did then. Don't mistake what I'm saying. I don't mean that I married Hilda BECAUSE she belonged to the class I'd once served across the counter, with some notion of jockeying myself up in the social scale. It was merely that I couldn't understand her and therefore was capable of being goofy about her. And one thing I certainly didn't grasp was that the girls in these penniless middle-class families will marry anything in trousers, just to get away from home.
It wasn't long before Hilda took me home to see her family. I hadn't known till then that there was a considerable Anglo-Indian colony in Ealing. Talk about discovering a new world! It was quite a revelation to me.
Do you know these Anglo-Indian families? It's almost impossible, when you get inside these people's houses, to remember that out in the street it's England and the twentieth century. As soon as you set foot inside the front door you're in India in the eighties. You know the kind of atmosphere. The carved teak furniture, the brass trays, the dusty tiger-skulls on the wall, the Trichinopoly cigars, the red-hot pickles, the yellow photographs of chaps in sun-helmets, the Hindustani words that you're expected to know the meaning of, the everlasting anecdotes about tiger-shoots and what Smith said to Jones in Poona in '87. It's a sort of little world of their own that they've created, like a kind of cyst. To me, of course, it was all quite new and in some ways rather interesting. Old Vincent, Hilda's father, had been not only in India but also in some even more outlandish place, Borneo or Sarawak, I forget which. He was the usual type, completely bald, almost invisible behind his moustache, and full of stories about cobras and cummerbunds and what the district collector said in '93. Hilda's mother was so colourless that she was just like one of the faded photos on the wall. There was also a son, Harold, who had some official job in Ceylon and was home on leave at the time when I first met Hilda. They had a little dark house in one of those buried back-streets that exist in Ealing. It smelt perpetually of Trichinopoly cigars and it was so full of spears, blow-pipes, brass ornaments, and the heads of wild animals that you could hardly move about in it.
Old Vincent had retired in 1910, and since then he and his wife had shown about as much activity, mental or physical, as a couple of shellfish. But at the time I was vaguely impressed by a family which had had majors, colonels, and once even an admiral in it. My attitude towards the Vincents, and theirs towards me, is an interesting illustration of what fools people can be when they get outside their own line. Put me among business people-whether they're company directors or commercial travellers-and I'm a fairly good judge of character. But I had no experience whatever of the officer-rentier-clergyman class, and I was inclined to kow- tow to these decayed throw-outs. I looked on them as my social and intellectual superiors, while they on the other hand mistook me for a rising young businessman who before long would be pulling down the big dough. To people of that kind, 'business', whether it's marine insurance or selling peanuts, is just a dark mystery. All they know is that it's something rather vulgar out of which you can make money. Old Vincent used to talk impressively about my being 'in business'-once, I remember, he had a slip of the tongue and said 'in trade'-and obviously didn't grasp the difference between being in business as an employee and being there on your own account. He had some vague notion that as I was 'in' the Flying Salamander I should sooner or later rise to the top of it, by a process of promotion. I think it's possible that he also had pictures of himself touching me for fivers at some future date. Harold certainly had. I could see it in his eye. In fact, even with my income being what it is, I'd probably be lending money to Harold at this moment if he were alive. Luckily he died a few years after we were married, of enteric or something, and both the old Vincents are dead too.
Well, Hilda and I were married, and right from the start it was a flop. Why did you marry her? you say. But why did you marry yours? These things happen to us. I wonder whether you'll believe that during the first two or three years I had serious thoughts of killing Hilda. Of course in practice one never does these things, they're only a kind of fantasy that one enjoys thinking about. Besides, chaps who murder their wives always get copped. However cleverly you've faked the alibi, they know perfectly well that it's you who did it, and they'll pin it on to you somehow. When a woman's bumped off, her husband is always the first suspect-which gives you a little side-glimpse of what people really think about marriage.
One gets used to everything in time. After a year or two I stopped wanting to kill her and started wondering about her. Just wondering. For hours, sometimes, on Sunday afternoons or in the evening when I've come home from work, I've lain on my bed with all my clothes on except my shoes, wondering about women. Why they're like that, how they get like that, whether they're doing it on purpose. It seems to be a most frightful thing, the suddenness with which some women go to pieces after they're married. It's as if they were strung up to do just that one thing, and the instant they've done it they wither off like a flower that's set its seed. What really gets me down is the dreary attitude towards life that it implies. If marriage was just an open swindle-if the woman trapped you into it and then turned round and said, 'Now, you bastard, I've caught you and you're going to work for me while I have a good time!'-I wouldn't mind so much. But not a bit of it. They don't want to have a good time, they merely want to slump into middle age as quickly as possible. After the frightful battle of getting her man to the altar, the woman kind of relaxes, and all her youth, looks, energy, and joy of life just vanish overnight. It was like that with Hilda. Here was this pretty, delicate girl, who'd seemed to me-and in fact when I first knew her she WAS-a finer type of animal than myself, and within only about three years she'd settled down into a depressed, lifeless, middle-aged frump. I'm not denying that I was part of the reason. But whoever she'd married it would have been much the same.
What Hilda lacks-I discovered this about a week after we were married-is any kind of joy in life, any kind of interest in things for their own sake. The idea of doing things because you enjoy them is something she can hardly understand. It was through Hilda that I first got a notion of what these decayed middle-class families are really like. The essential fact about them is that all their vitality has been drained away by lack of money. In families like that, which live on tiny pensions and annuities- that's to say on incomes which never get bigger and generally get smaller-there's more sense of poverty, more crust-wiping, and looking twice at sixpence, than you'd find in any farm-labourer's family, let alone a family like mine. Hilda's often told me that almost the first thing she can remember is a ghastly feeling that there was never enough money for anything. Of course, in that kind of family, the lack of money is always at its worst when the kids are at the school-age. Consequently they grow up, especially the girls, with a fixed idea not only that one always IS hard-up but that it's one's duty to be miserable about it.
At the beginning we lived in a poky little maisonette and had a job to get by on my wages. Later, when I was transferred to the West Bletchley branch, things were better, but Hilda's attitude didn't change. Always that ghastly glooming about money! The milk bill! The coal bill! The rent! The school fees! We've lived all our life together to the tune of 'Next week we'll be in the workhouse.' It's not that Hilda's mean, in the ordinary sense of the word, and still less that she's selfish. Even when there happens to be a bit of spare cash knocking about I can hardly persuade her to buy herself any decent clothes. But she's got this feeling that you OUGHT to be perpetually working yourself up into a stew about lack of money. Just working up an atmosphere of misery from a sense of duty. I'm not like that. I've got more the prole's attitude towards money. Life's here to be lived, and if we're going to be in the soup next week-well, next week is a long way off. What really shocks her is the fact that I refuse to worry. She's always going for me about it. 'But, George! You don't seem to REALIZE! We've simply got no money at all! It's very SERIOUS!' She loves getting into a panic because something or other is 'serious'. And of late she's got that trick, when she's glooming about something, of kind of hunching her shoulders and folding her arms across her breast. If you made a list of Hilda's remarks throughout the day, you'd find three bracketed together at the top-'We can't afford it', 'It's a great saving', and 'I don't know where the money's to come from'. She does everything for negative reasons. When she makes a cake she's not thinking about the cake, only about how to save butter and eggs. When I'm in bed with her all she thinks about is how not to have a baby. If she goes to the pictures she's all the time writhing with indignation about the price of the seats. Her methods of housekeeping, with all the emphasis on 'using things up' and 'making things do', would have given Mother convulsions. On the other hand, Hilda isn't in the least a snob. She's never looked down on me because I'm not a gentleman. On the contrary, from her point of view I'm much too lordly in my habits. We never have a meal in a tea-shop without a frightful row in whispers because I'm tipping the waitress too much. And it's a curious thing that in the last few years she's become much more definitely lower-middle-class, in outlook and even in appearance, than I am. Of course all this 'saving' business has never led to anything. It never does. We live just about as well or as badly as the other people in Ellesmere Road. But the everlasting stew about the gas bill and the milk bill and the awful price of butter and the kids' boots and school-fees goes on and on. It's a kind of game with Hilda.
We moved to West Bletchley in '29 and started buying the house in Ellesmere Road the next year, a little before Billy was born. After I was made an Inspector I was more away from home and had more opportunities with other women. Of course I was unfaithful- I won't say all the time, but as often as I got the chance. Curiously enough, Hilda was jealous. In a way, considering how little that kind of thing means to her, I wouldn't have expected her to mind. And like all jealous women she'll sometimes show a cunning you wouldn't think her capable of. Sometimes the way she's caught me out would have made me believe in telepathy, if it wasn't that she's often been equally suspicious when I didn't happen to be guilty. I'm more or less permanently under suspicion, though, God knows, in the last few years-the last five years, anyway-I've been innocent enough. You have to be, when you're as fat as I am.
Taking it by and large, I suppose Hilda and I don't get on worse than about half the couples in Ellesmere Road. There've been times when I've thought of separation or divorce, but in our walk of life you don't do those things. You can't afford to. And then time goes on, and you kind of give up struggling. When you've lived with a woman for fifteen years, it's difficult to imagine life without her. She's part of the order of things. I dare say you might find things to object to in the sun and the moon, but do you really want to change them? Besides, there were the kids. Kids are a 'link', as they say. Or a 'tie'. Not to say a ball and fetter.
Of late years Hilda has made two great friends called Mrs Wheeler and Miss Minns. Mrs Wheeler is a widow, and I gather she's got very bitter ideas about the male sex. I can feel her kind of quivering with disapproval if I so much as come into the room. She's a faded little woman and gives you a curious impression that she's the same colour all over, a kind of greyish dust-colour, but she's full of energy. She's a bad influence on Hilda, because she's got the same passion for 'saving' and 'making things do', though in a slightly different form. With her it takes the form of thinking that you can have a good time without paying for it. She's for ever nosing out bargains and amusements that don't cost money. With people like that it doesn't matter a damn whether they want a thing or not, it's merely a question of whether they can get it on the cheap. When the big shops have their remnant sales Mrs Wheeler's always at the head of the queue, and it's her greatest pride, after a day's hard fighting round the counter, to come out without having bought anything. Miss Minns is quite a different sort. She's really a sad case, poor Miss Minns. She's a tall thin woman of about thirty-eight, with black patent-leather hair and a very GOOD, trusting kind of face. She lives on some kind of tiny fixed income, an annuity or something, and I fancy she's a left- over from the old society of West Bletchley, when it was a little country town, before the suburb grew up. It's written all over her that her father was a clergyman and sat on her pretty heavily while he lived. They're a special by-product of the middle classes, these women who turn into withered bags before they even manage to escape from home. Poor old Miss Minns, for all her wrinkles, still looks exactly like a child. It's still a tremendous adventure to her not to go to church. She's always burbling about 'modern progress' and 'the woman's movement', and she's got a vague yearning to do something she calls 'developing her mind', only she doesn't quite know how to start. I think in the beginning she cottoned on to Hilda and Mrs Wheeler out of pure loneliness, but now they take her with them wherever they go.
And the times they've had together, those three! Sometimes I've almost envied them. Mrs Wheeler is the leading spirit. You couldn't name a kind of idiocy that she hasn't dragged them into at one time or another. Anything from theosophy to cat's-cradle, provided you can do it on the cheap. For months they went in for the food-crank business. Mrs Wheeler had picked up a second-hand copy of some book called Radiant Energy which proved that you should live on lettuces and other things that don't cost money. Of course this appealed to Hilda, who immediately began starving herself. She'd have tried it on me and the kids as well, only I put my foot down. Then they had a go at faith-healing. Then they thought of tackling Pelmanism, but after a lot of correspondence they found that they couldn't get the booklets free, which had been Mrs Wheeler's idea. Then it was hay-box cookery. Then it was some filthy stuff called bee wine, which was supposed to cost nothing at all because you made it out of water. They dropped that after they'd read an article in the paper saying that bee wine gives you cancer. Then they nearly joined one of those women's clubs which go for conducted tours round factories, but after a lot of arithmetic Mrs Wheeler decided that the free teas the factories gave you didn't quite equal the subscription. Then Mrs Wheeler scraped acquaintance with somebody who gave away free tickets for plays produced by some stage society or other. I've known the three of them sit for hours listening to some highbrow play of which they didn't even pretend to understand a word-couldn't even tell you the name of the play afterwards-but they felt that they were getting something for nothing. Once they even took up spiritualism. Mrs Wheeler had run across some down-and-out medium who was so desperate that he'd give seances for eighteenpence, so that the three of them could have a glimpse beyond the veil for a tanner a time. I saw him once when he came to give a seance at our house. He was a seedy-looking old devil and obviously in mortal terror of D.T.s. He was so shaky that when he was taking his overcoat off in the hall he had a sort of spasm and a hank of butter-muslin dropped out of his trouser-leg. I managed to shove it back to him before the women saw. Butter-muslin is what they make the ectoplasm with, so I'm told. I suppose he was going on to another seance afterwards. You don't get manifestations for eighteen pence. Mrs Wheeler's biggest find of the last few years is the Left Book Club. I think it was in '36 that the news of the Left Book Club got to West Bletchley. I joined it soon afterwards, and it's almost the only time I can remember spending money without Hilda protesting. She can see some sense in buying a book when you're getting it for a third of its proper price. These women's attitude is curious, really. Miss Minns certainly had a try at reading one or two of the books, but this wouldn't even have occurred to the other two. They've never had any direct connexion with the Left Book Club or any notion what it's all about-in fact I believe at the beginning Mrs Wheeler thought it had something to do with books which had been left in railway carriages and were being sold off cheap. But they do know that it means seven and sixpenny books for half a crown, and so they're always saying that it's 'such a good idea'. Now and again the local Left Book Club branch holds meetings and gets people down to speak, and Mrs Wheeler always takes the others along. She's a great one for public meetings of any kind, always provided that it's indoors and admission free. The three of them sit there like lumps of pudding. They don't know what the meeting's about and they don't care, but they've got a vague feeling, especially Miss Minns, that they're improving their minds, and it isn't costing them anything.
Well, that's Hilda. You see what she's like. Take it by and large, I suppose she's no worse than I am. Sometimes when we were first married I felt I'd like to strangle her, but later I got so that I didn't care. And then I got fat and settled down. It must have been in 1930 that I got fat. It happened so suddenly that it was as if a cannon ball had hit me and got stuck inside. You know how it is. One night you go to bed, still feeling more or less young, with an eye for the girls and so forth, and next morning you wake up in the full consciousness that you're just a poor old fatty with nothing ahead of you this side the grave except sweating your guts out to buy boots for the kids.
And now it's '38, and in every shipyard in the world they're riveting up the battleships for another war, and a name I chanced to see on a poster had stirred up in me a whole lot of stuff which ought to have been buried God knows how many years ago.
PART III
1
When I came home that evening I was still in doubt as to what I'd spend my seventeen quid on.
Hilda said she was going to the Left Book Club meeting. It seemed that there was a chap coming down from London to lecture, though needless to say Hilda didn't know what the lecture was going to be about. I told her I'd go with her. In a general way I'm not much of a one for lectures, but the visions of war I'd had that morning, starting with the bomber flying over the train, had put me into a kind of thoughtful mood. After the usual argument we got the kids to bed early and cleared off in time for the lecture, which was billed for eight o'clock.
It was a misty kind of evening, and the hall was cold and not too well lighted. It's a little wooden hall with a tin roof, the property of some Nonconformist sect or other, and you can hire it for ten bob. The usual crowd of fifteen or sixteen people had rolled up. On the front of the platform there was a yellow placard announcing that the lecture was on 'The Menace of Fascism'. This didn't altogether surprise me. Mr Witchett, who acts as chairman of these meetings and who in private life is something in an architect's office, was taking the lecturer round, introducing him to everyone as Mr So-and-so (I forget his name) 'the well-known anti-Fascist', very much as you might call somebody 'the well-known pianist'. The lecturer was a little chap of about forty, in a dark suit, with a bald head which he'd tried rather unsuccessfully to cover up with wisps of hair.
Meetings of this kind never start on time. There's always a period of hanging about on the pretence that perhaps a few more people are going to turn up. It was about twenty-five past eight when Witchett tapped on the table and did his stuff. Witchett's a mild- looking chap, with a pink, baby's bottom kind of face that's always covered in smiles. I believe he's secretary of the local Liberal Party, and he's also on the Parish Council and acts as M.C. at the magic lantern lectures for the Mothers' Union. He's what you might call a born chairman. When he tells you how delighted we all are to have Mr So-and-so on the platform tonight, you can see that he believes it. I never look at him without thinking that he's probably a virgin. The little lecturer took out a wad of notes, chiefly newspaper cuttings, and pinned them down with his glass of water. Then he gave a quick lick at his lips and began to shoot.
Do you ever go to lectures, public meetings, and what-not?
When I go to one myself, there's always a moment during the evening when I find myself thinking the same thought: Why the hell are we doing this? Why is it that people will turn out on a winter night for this kind of thing? I looked round the hall. I was sitting in the back row. I don't ever remember going to any kind of public meeting when I didn't sit in the back row if I could manage it. Hilda and the others had planked themselves in front, as usual. It was rather a gloomy little hall. You know the kind of place. Pitch-pine walls, corrugated iron roof, and enough draughts to make you want to keep your overcoat on. The little knot of us were sitting in the light round the platform, with about thirty rows of empty chairs behind us. And the seats of all the chairs were dusty. On the platform behind the lecturer there was a huge square thing draped in dust-cloths which might have been an enormous coffin under a pall. Actually it was a piano.
At the beginning I wasn't exactly listening. The lecturer was rather a mean-looking little chap, but a good speaker. White face, very mobile mouth, and the rather grating voice that they get from constant speaking. Of course he was pitching into Hitler and the Nazis. I wasn't particularly keen to hear what he was saying-get the same stuff in the News Chronicle every morning-but his voice came across to me as a kind of burr-burr-burr, with now and again a phrase that struck out and caught my attention.
'Bestial atrocities. . . . Hideous outbursts of sadism. . . . Rubber truncheons. . . . Concentration camps. . . . Iniquitous persecution of the Jews. . . . Back to the Dark Ages. . . . European civilization. . . . Act before it is too late. . . . Indignation of all decent peoples. . . . Alliance of the democratic nations. . . . Firm stand. . . . Defence of democracy. . . . Democracy. . . . Fascism. . . . Democracy. . . . Fascism. . . . Democracy. . . .'
You know the line of talk. These chaps can churn it out by the hour. Just like a gramophone. Turn the handle, press the button, and it starts. Democracy, Fascism, Democracy. But somehow it interested me to watch him. A rather mean little man, with a white face and a bald head, standing on a platform, shooting out slogans. What's he doing? Quite deliberately, and quite openly, he's stirring up hatred. Doing his damnedest to make you hate certain foreigners called Fascists. It's a queer thing, I thought, to be known as 'Mr So-and-so, the well-known anti-Fascist'. A queer trade, anti-Fascism. This fellow, I suppose, makes his living by writing books against Hitler. But what did he do before Hitler came along? And what'll he do if Hitler ever disappears? Same question applies to doctors, detectives, rat-catchers, and so forth, of course. But the grating voice went on and on, and another thought struck me. He MEANS it. Not faking at all-feels every word he's saying. He's trying to work up hatred in the audience, but that's nothing to the hatred he feels himself. Every slogan's gospel truth to him. If you cut him open all you'd find inside would be Democracy-Fascism-Democracy. Interesting to know a chap like that in private life. But does he have a private life? Or does he only go round from platform to platform, working up hatred? Perhaps even his dreams are slogans.
As well as I could from the back row I had a look at the audience. I suppose, if you come to think of it, we people who'll turn out on winter nights to sit in draughty halls listening to Left Book Club lectures (and I consider that I'm entitled to the 'we', seeing that I'd done it myself on this occasion) have a certain significance. We're the West Bletchley revolutionaries. Doesn't look hopeful at first sight. It struck me as I looked round the audience that only about half a dozen of them had really grasped what the lecturer was talking about, though by this time he'd been pitching into Hitler and the Nazis for over half an hour. It's always like that with meetings of this kind. Invariably half the people come away without a notion of what it's all about. In his chair beside the table Witchett was watching the lecturer with a delighted smile, and his face looked a little like a pink geranium. You could hear in advance the speech he'd make as soon as the lecturer sat down- same speech as he makes at the end of the magic lantern lecture in aid of trousers for the Melanesians: 'Express our thanks-voicing the opinion of all of us-most interesting-give us all a lot to think about-most stimulating evening!' In the front row Miss Minns was sitting very upright, with her head cocked a little on one side, like a bird. The lecturer had taken a sheet of paper from under the tumbler and was reading out statistics about the German suicide-rate. You could see by the look of Miss Minns's long thin neck that she wasn't feeling happy. Was this improving her mind, or wasn't it? If only she could make out what it was all about! The other two were sitting there like lumps of pudding. Next to them a little woman with red hair was knitting a jumper. One plain, two purl, drop one, and knit two together. The lecturer was describing how the Nazis chop people's heads off for treason and sometimes the executioner makes a bosh shot. There was one other woman in the audience, a girl with dark hair, one of the teachers at the Council School. Unlike the other she was really listening, sitting forward with her big round eyes fixed on the lecturer and her mouth a little bit open, drinking it all in.
Just behind her two old blokes from the local Labour Party were sitting. One had grey hair cropped very short, the other had a bald head and a droopy moustache. Both wearing their overcoats. You know the type. Been in the Labour Party since the year dot. Lives given up to the movement. Twenty years of being blacklisted by employers, and another ten of badgering the Council to do something about the slums. Suddenly everything's changed, the old Labour Party stuff doesn't matter any longer. Find themselves pitchforked into foreign politics-Hitler, Stalin, bombs, machine- guns, rubber truncheons, Rome-Berlin axis, Popular Front, anti- Comintern pact. Can't make head or tail of it. Immediately in front of me the local Communist Party branch were sitting. All three of them very young. One of them's got money and is something in the Hesperides Estate Company, in fact I believe he's old Crum's nephew. Another's a clerk at one of the banks. He cashes cheques for me occasionally. A nice boy, with a round, very young, eager face, blue eyes like a baby, and hair so fair that you'd think he peroxided it. He only looks about seventeen, though I suppose he's twenty. He was wearing a cheap blue suit and a bright blue tie that went with his hair. Next to these three another Communist was sitting. But this one, it seems, is a different kind of Communist and not-quite, because he's what they call a Trotskyist. The others have got a down on him. He's even younger, a very thin, very dark, nervous-looking boy. Clever face. Jew, of course. These four were taking the lecture quite differently from the others. You knew they'd be on their feet the moment question-time started. You could see them kind of twitching already. And the little Trotskyist working himself from side to side on his bum in his anxiety to get in ahead of the others.
I'd stopped listening to the actual words of the lecture. But there are more ways than one of listening. I shut my eyes for a moment. The effect of that was curious. I seemed to see the fellow much better when I could only hear his voice.
It was a voice that sounded as if it could go on for a fortnight without stopping. It's a ghastly thing, really, to have a sort of human barrel-organ shooting propaganda at you by the hour. The same thing over and over again. Hate, hate, hate. Let's all get together and have a good hate. Over and over. It gives you the feeling that something has got inside your skull and is hammering down on your brain. But for a moment, with my eyes shut, I managed to turn the tables on him. I got inside HIS skull. It was a peculiar sensation. For about a second I was inside him, you might almost say I WAS him. At any rate, I felt what he was feeling.
I saw the vision that he was seeing. And it wasn't at all the kind of vision that can be talked about. What he's SAYING is merely that Hitler's after us and we must all get together and have a good hate. Doesn't go into details. Leaves it all respectable. But what he's SEEING is something quite different. It's a picture of himself smashing people's faces in with a spanner. Fascist faces, of course. I KNOW that's what he was seeing. It was what I saw myself for the second or two that I was inside him. Smash! Right in the middle! The bones cave in like an eggshell and what was a face a minute ago is just a great big blob of strawberry jam. Smash! There goes another! That's what's in his mind, waking and sleeping, and the more he thinks of it the more he likes it. And it's all O.K. because the smashed faces belong to Fascists. You could hear all that in the tone of his voice.
But why? Likeliest explanation, because he's scared. Every thinking person nowadays is stiff with fright. This is merely a chap who's got sufficient foresight to be a little more frightened than the others. Hitler's after us! Quick! Let's all grab a spanner and get together, and perhaps if we smash in enough faces they won't smash ours. Gang up, choose your Leader. Hitler's black and Stalin's white. But it might just as well be the other way about, because in the little chap's mind both Hitler and Stalin are the same. Both mean spanners and smashed faces.
War! I started thinking about it again. It's coming soon, that's certain. But who's afraid of war? That's to say, who's afraid of the bombs and the machine-guns? 'You are', you say. Yes, I am, and so's anybody who's ever seen them. But it isn't the war that matters, it's the after-war. The world we're going down into, the kind of hate-world, slogan-world. The coloured shirts, the barbed wire, the rubber truncheons. The secret cells where the electric light burns night and day, and the detectives watching you while you sleep. And the processions and the posters with enormous faces, and the crowds of a million people all cheering for the Leader till they deafen themselves into thinking that they really worship him, and all the time, underneath, they hate him so that they want to puke. It's all going to happen. Or isn't it? Some days I know it's impossible, other days I know it's inevitable. That night, at any rate, I knew it was going to happen. It was all in the sound of the little lecturer's voice.
So perhaps after all there IS a significance in this mingy little crowd that'll turn out on a winter night to listen to a lecture of this kind. Or at any rate in the five or six who can grasp what it's all about. They're simply the outposts of an enormous army. They're the long-sighted ones, the first rats to spot that the ship is sinking. Quick, quick! The Fascists are coming! Spanners ready, boys! Smash others or they'll smash you. So terrified of the future that we're jumping straight into it like a rabbit diving down a boa-constrictor's throat.
And what'll happen to chaps like me when we get Fascism in England? The truth is it probably won't make the slightest difference. As for the lecturer and those four Communists in the audience, yes, it'll make plenty of difference to them. They'll be smashing faces, or having their own smashed, according to who's winning. But the ordinary middling chaps like me will be carrying on just as usual. And yet it frightens me-I tell you it frightens me. I'd just started to wonder why when the lecturer stopped and sat down.
There was the usual hollow little sound of clapping that you get when there are only about fifteen people in the audience, and then old Witchett said his piece, and before you could say Jack Robinson the four Communists were on their feet together. They had a good dog-fight that went on for about ten minutes, full of a lot of stuff that nobody else understood, such as dialectical materialism and the destiny of the proletariat and what Lenin said in 1918. Then the lecturer, who'd had a drink of water, stood up and gave a summing-up that made the Trotskyist wriggle about on his chair but pleased the other three, and the dog-fight went on unofficially for a bit longer. Nobody else did any talking. Hilda and the others had cleared off the moment the lecture ended. Probably they were afraid there was going to be a collection to pay for the hire of the hall. The little woman with red hair was staying to finish her row. You could hear her counting her stitches in a whisper while the others argued. And Witchett sat and beamed at whoever happened to be speaking, and you could see him thinking how interesting it all was and making mental notes, and the girl with black hair looked from one to the other with her mouth a little open, and the old Labour man, looking rather like a seal with his droopy moustache and his overcoat up to his ears, sat looking up at them, wondering what the hell it was all about. And finally I got up and began to put on my overcoat.
The dog-fight had turned into a private row between the little Trotskyist and the boy with fair hair. They were arguing about whether you ought to join the Army if war broke out. As I edged my way along the row of chairs to get out, the fair-haired one appealed to me.
'Mr Bowling! Look here. If war broke out and we had the chance to smash Fascism once and for all, wouldn't you fight? If you were young, I mean.'
I suppose he thinks I'm about sixty.
'You bet I wouldn't,' I said. 'I had enough to go on with last time.'
'But to smash Fascism!'
'Oh, b- Fascism! There's been enough smashing done already, if you ask me.'
The little Trotskyist chips in with social-patriotism and betrayal of the workers, but the others cut him short:
'But you're thinking of 1914. That was just an ordinary imperialist war. This time it's different. Look here. When you hear about what's going on in Germany, and the concentration camps and the Nazis beating people up with rubber truncheons and making the Jews spit in each other's faces-doesn't it make your blood boil?'
They're always going on about your blood boiling. Just the same phrase during the war, I remember.
'I went off the boil in 1916,' I told him. 'And so'll you when you know what a trench smells like.'
And then all of a sudden I seemed to see him. It was as if I hadn't properly seen him till that moment.
A very young eager face, might have belonged to a good-looking schoolboy, with blue eyes and tow-coloured hair, gazing into mine, and for a moment actually he'd got tears in his eyes! Felt as strongly as all that about the German Jews! But as a matter of fact I knew just what he felt. He's a hefty lad, probably plays rugger for the bank. Got brains, too. And here he is, a bank clerk in a godless suburb, sitting behind the frosted window, entering figures in a ledger, counting piles of notes, bumsucking to the manager. Feels his life rotting away. And all the while, over in Europe, the big stuff's happening. Shells bursting over the trenches and waves of infantry charging through the drifts of smoke. Probably some of his pals are fighting in Spain. Of course he's spoiling for a war. How can you blame him? For a moment I had a peculiar feeling that he was my son, which in point of years he might have been. And I thought of that sweltering hot day in August when the newsboy stuck up the poster ENGLAND DECLARES WAR ON GERMANY, and we all rushed out on to the pavement in our white aprons and cheered.
'Listen son,' I said, 'you've got it all wrong. In 1914 WE thought it was going to be a glorious business. Well, it wasn't. It was just a bloody mess. If it comes again, you keep out of it. Why should you get your body plugged full of lead? Keep it for some girl. You think war's all heroism and V.C. charges, but I tell you it isn't like that. You don't have bayonet-charges nowadays, and when you do it isn't like you imagine. You don't feel like a hero. All you know is that you've had no sleep for three days, and stink like a polecat, you're pissing your bags with fright, and your hands are so cold you can't hold your rifle. But that doesn't matter a damn, either. It's the things that happen afterwards.'
Makes no impression of course. They just think you're out of date. Might as well stand at the door of a knocking-shop handing out tracts.
The people were beginning to clear off. Witchett was taking the lecturer home. The three Communists and the little Jew went up the road together, and they were going at it again with proletarian solidarity and dialectic of the dialectic and what Trotsky said in 1917. They're all the same, really. It was a damp, still, very black night. The lamps seemed to hang in the darkness like stars and didn't light the road. In the distance you could hear the trains booming along the High Street. I wanted a drink, but it was nearly ten and the nearest pub was half a mile away. Besides, I wanted somebody to talk to, the way you can't talk in a pub. It was funny how my brain had been on the go all day. Partly the result of not working, of course, and partly of the new false teeth, which had kind of freshened me up. All day I'd been brooding on the future and the past. I wanted to talk about the bad time that's either coming or isn't coming, the slogans and the coloured shirts and the streamlined men from eastern Europe who are going to knock old England cock-eyed. Hopeless trying to talk to Hilda. Suddenly it occurred to me to go and look up old Porteous, who's a pal of mine and keeps late hours.
Porteous is a retired public-school master. He lives in rooms, which luckily are in the lower half of the house, in the old part of the town, near the church. He's a bachelor, of course. You can't imagine that kind married. Lives all alone with his books and his pipe and has a woman in to do for him. He's a learned kind of chap, with his Greek and Latin and poetry and all that. I suppose that if the local Left Book Club branch represents Progress, old Porteous stands for Culture. Neither of them cuts much ice in West Bletchley.
The light was burning in the little room where old Porteous sits reading till all hours of the night. As I tapped on the front door he came strolling out as usual, with his pipe between his teeth and his fingers in a book to keep the place. He's rather a striking looking chap, very tall, with curly grey hair and a thin, dreamy kind of face that's a bit discoloured but might almost belong to a boy, though he must be nearly sixty. It's funny how some of these public-school and university chaps manage to look like boys till their dying day. It's something in their movements. Old Porteous has got a way of strolling up and down, with that handsome head of his, with the grey curls, held a little back that makes you feel that all the while he's dreaming about some poem or other and isn't conscious of what's going on round him. You can't look at him without seeing the way he's lived written all over him. Public School, Oxford, and then back to his old school as a master. Whole life lived in an atmosphere of Latin, Greek, and cricket. He's got all the mannerisms. Always wears an old Harris tweed jacket and old grey flannel bags which he likes you to call 'disgraceful', smokes a pipe and looks down on cigarettes, and though he sits up half the night I bet he has a cold bath every morning. I suppose from his point of view I'm a bit of a bounder. I haven't been to a public school, I don't know any Latin and don't even want to. He tells me sometimes that it's a pity I'm 'insensible to beauty', which I suppose is a polite way of saying that I've got no education. All the same I like him. He's very hospitable in the right kind of way, always ready to have you in and talk at all hours, and always got drinks handy. When you live in a house like ours, more or less infested by women and kids, it does you good to get out of it sometimes into a bachelor atmosphere, a kind of book- pipe-fire atmosphere. And the classy Oxford feeling of nothing mattering except books and poetry and Greek statues, and nothing worth mentioning having happened since the Goths sacked Rome- sometimes that's a comfort too.
He shoved me into the old leather armchair by the fire and dished out whisky and soda. I've never seen his sitting-room when it wasn't dim with pipe-smoke. The ceiling is almost black. It's a smallish room and, except for the door and the window and the space over the fireplace, the walls are covered with books from the floor right up to the ceiling. On the mantelpiece there are all the things you'd expect. A row of old briar pipes, all filthy, a few Greek silver coins, a tobacco jar with the arms of old Porteous's college on it, and a little earthenware lamp which he told me he dug up on some mountain in Sicily. Over the mantelpiece there are photos of Greek statues. There's a big one in the middle, of a woman with wings and no head who looks as if she was stepping out to catch a bus. I remember how shocked old Porteous was when the first time I saw it, not knowing any better, I asked him why they didn't stick a head on it.
Porteous started refilling his pipe from the jar on the mantelpiece.
'That intolerable woman upstairs has purchased a wireless set,' he said. 'I had been hoping to live the rest of my life out of the sound of those things. I suppose there is nothing one can do? Do you happen to know the legal position?'
I told him there was nothing one could do. I rather like the Oxfordy way he says 'intolerable', and it tickles me, in 1938, to find someone objecting to having a radio in the house. Porteous was strolling up and down in his usual dreamy way, with his hands in his coat pockets and his pipe between his teeth, and almost instantly he'd begun talking about some law against musical instruments that was passed in Athens in the time of Pericles. It's always that way with old Porteous. All his talk is about things that happened centuries ago. Whatever you start off with it always comes back to statues and poetry and the Greeks and Romans. If you mention the Queen Mary he'd start telling you about Phoenician triremes. He never reads a modern book, refuses to know their names, never looks at any newspaper except The Times, and takes a pride in telling you that he's never been to the pictures. Except for a few poets like Keats and Wordsworth he thinks the modern world-and from his point of view the modern world is the last two thousand years-just oughtn't to have happened.
I'm part of the modern world myself, but I like to hear him talk. He'll stroll round the shelves and haul out first one book and then another, and now and again he'll read you a piece between little puffs of smoke, generally having to translate it from the Latin or something as he goes. It's all kind of peaceful, kind of mellow. All a little like a school-master, and yet it soothes you, somehow. While you listen you aren't in the same world as trains and gas bills and insurance companies. It's all temples and olive trees, and peacocks and elephants, and chaps in the arena with their nets and tridents, and winged lions and eunuchs and galleys and catapults, and generals in brass armour galloping their horses over the soldiers' shields. It's funny that he ever cottoned on to a chap like me. But it's one of the advantages of being fat that you can fit into almost any society. Besides we meet on common ground when it comes to dirty stories. They're the one modern thing he cares about, though, as he's always reminding me, they aren't modern. He's rather old-maidish about it, always tells a story in a veiled kind of way. Sometimes he'll pick out some Latin poet and translate a smutty rhyme, leaving a lot to your imagination, or he'll drop hints about the private lives of the Roman emperors and the things that went on in the temples of Ashtaroth. They seem to have been a bad lot, those Greeks and Romans. Old Porteous has got photographs of wall-paintings somewhere in Italy that would make your hair curl.
When I'm fed up with business and home life it's often done me a lot of good to go and have a talk with Porteous. But tonight it didn't seem to. My mind was still running on the same lines as it had been all day. Just as I'd done with the Left Book Club lecturer, I didn't exactly listen to what Porreous was saying, only to the sound of his voice. But whereas the lecturer's voice had got under my skin, old Porteous's didn't. It was too peaceful, too Oxfordy. Finally, when he was in the middle of saying something, I chipped in and said:
'Tell me, Porteous, what do you think of Hitler?'
Old Porteous was leaning in his lanky, graceful kind of way with his elbows on the mantelpiece and a foot on the fender. He was so surprised that he almost took his pipe out of his mouth.
'Hitler? This German person? My dear fellow! I DON'T think of him.'
'But the trouble is he's going to bloody well make us think about him before he's finished.'
Old Porteous shies a bit at the world 'bloody', which he doesn't like, though of course it's part of his pose never to be shocked. He begins walking up and down again, puffing out smoke.
'I see no reason for paying any attention to him. A mere adventurer. These people come and go. Ephemeral, purely ephemeral.'
I'm not certain what the word 'ephemeral' means, but I stick to my point:
'I think you've got it wrong. Old Hitler's something different. So's Joe Stalin. They aren't like these chaps in the old days who crucified people and chopped their heads off and so forth, just for the fun of it. They're after something quite new-something that's never been heard of before.'
'My dear fellow! There is nothing new under the sun.'
Of course that's a favourite saying of old Porteous's. He won't hear of the existence of anything new. As soon as you tell him about anything that's happening nowadays he says that exactly the same thing happened in the reign of King So-and-so. Even if you bring up things like aeroplanes he tells you that they probably had them in Crete, or Mycenae, or wherever it was. I tried to explain to him what I'd felt while the little bloke was lecturing and the kind of vision I'd had of the bad time that's coming, but he wouldn't listen. Merely repeated that there's nothing new under the sun. Finally he hauls a book out of the shelves and reads me a passage about some Greek tyrant back in the B.C.s who certainly might have been Hitler's twin brother.
The argument went on for a bit. All day I'd been wanting to talk to somebody about this business. It's funny. I'm not a fool, but I'm not a highbrow either, and God knows at normal times I don't have many interests that you wouldn't expect a middle-aged seven- pound-a-weeker with two kids to have. And yet I've enough sense to see that the old life we're used to is being sawn off at the roots. I can feel it happening. I can see the war that's coming and I can see the after-war, the food-queues and the secret police and the loudspeakers telling you what to think. And I'm not even exceptional in this. There are millions of others like me. Ordinary chaps that I meet everywhere, chaps I run across in pubs, bus drivers, and travelling salesmen for hardware firms, have got a feeling that the world's gone wrong. They can feel things cracking and collapsing under their feet. And yet here's this learned chap, who's lived all his life with books and soaked himself in history till it's running out of his pores, and he can't even see that things are changing. Doesn't think Hitler matters. Refuses to believe there's another war coming. In any case, as he didn't fight in the last war, it doesn't enter much into his thoughts-he thinks it was a poor show compared with the siege of Troy. Doesn't see why one should bother about the slogans and the loudspeakers and the coloured shirts. What intelligent person would pay any attention to such things? he always says. Hitler and Stalin will pass away, but something which old Porteous calls 'the eternal verities' won't pass away. This, of course, is simply another way of saying that things will always go on exactly as he's known them. For ever and ever, cultivated Oxford blokes will stroll up and down studies full of books, quoting Latin tags and smoking good tobacco out of jars with coats of arms on them. Really it was no use talking to him. I'd have got more change out of the lad with tow- coloured hair. By degrees the conversation twisted off, as it always does, to things that happened B.C. Then it worked round to poetry. Finally old Porteous drags another book out of the shelves and begins reading Keat's 'Ode to a Nightingale' (or maybe it was a skylark-I forget).
So far as I'm concerned a little poetry goes a long way. But it's a curious fact that I rather like hearing old Porteous reading it aloud. There's no question that he reads well. He's got the habit, of course-used to reading to classes of boys. He'll lean up against something in his lounging way, with his pipe between his teeth and little jets of smoke coming out, and his voice goes kind of solemn and rises and falls with the line. You can see that it moves him in some way. I don't know what poetry is or what it's supposed to do. I imagine it has a kind of nervous effect on some people like music has on others. When he's reading I don't actually listen, that's to say I don't take in the words, but sometimes the sound of it brings a kind of peaceful feeling into my mind. On the whole I like it. But somehow tonight it didn't work. It was as if a cold draught had blown into the room. I just felt that this was all bunk. Poetry! What is it? Just a voice, a bit of an eddy in the air. And Gosh! what use would that be against machine-guns?
I watched him leaning up against the bookshelf. Funny, these public-school chaps. Schoolboys all their days. Whole life revolving round the old school and their bits of Latin and Greek and poetry. And suddenly I remembered that almost the first time I was here with Porteous he'd read me the very same poem. Read it in just the same way, and his voice quivered when he got to the same bit-the bit about magic casements, or something. And a curious thought struck me. HE'S DEAD. He's a ghost. All people like that are dead.
It struck me that perhaps a lot of the people you see walking about are dead. We say that a man's dead when his heart stops and not before. It seems a bit arbitrary. After all, parts of your body don't stop working-hair goes on growing for years, for instance. Perhaps a man really dies when his brain stops, when he loses the power to take in a new idea. Old Porteous is like that. Wonderfully learned, wonderfully good taste-but he's not capable of change. Just says the same things and thinks the same thoughts over and over again. There are a lot of people like that. Dead minds, stopped inside. Just keep moving backwards and forwards on the same little track, getting fainter all the time, like ghosts.
Old Porteous's mind, I thought, probably stopped working at about the time of the Russo-Japanese War. And it's a ghastly thing that nearly all the decent people, the people who DON'T want to go round smashing faces in with spanners, are like that. They're decent, but their minds have stopped. They can't defend themselves against what's coming to them, because they can't see it, even when it's under their noses. They think that England will never change and that England's the whole world. Can't grasp that it's just a left- over, a tiny corner that the bombs happen to have missed. But what about the new kind of men from eastern Europe, the streamlined men who think in slogans and talk in bullets? They're on our track. Not long before they catch up with us. No Marquess of Queensbury rules for those boys. And all the decent people are paralysed. Dead men and live gorillas. Doesn't seem to be anything between.
I cleared out about half an hour later, having completely failed to convince old Porteous that Hitler matters. I was still thinking the same thoughts as I walked home through the shivery streets. The trains had stopped running. The house was all dark and Hilda was asleep. I dropped my false teeth into the glass of water in the bathroom, got into my pyjamas, and prised Hilda over to the other side of the bed. She rolled over without waking, and the kind of hump between her shoulders was towards me. It's funny, the tremendous gloom that sometimes gets hold of you late at night. At that moment the destiny of Europe seemed to me more important than the rent and the kids' school-bills and the work I'd have to do tomorrow. For anyone who has to earn his living such thoughts are just plain foolishness. But they didn't move out of my mind. Still the vision of the coloured shirts and the machine-guns rattling. The last thing I remember wondering before I fell asleep was why the hell a chap like me should care.
2
The primroses had started. I suppose it was some time in March.
I'd driven through Westerham and was making for Pudley. I'd got to do an assessment of an ironmonger's shop, and then, if I could get hold of him, to interview a life-insurance case who was wavering in the balance. His name had been sent in by our local agent, but at the last moment he'd taken fright and begun to doubt whether he could afford it. I'm pretty good at talking people round. It's being fat that does it. It puts people in a cheery kind of mood, makes 'em feel that signing a cheque is almost a pleasure. Of course there are different ways of tackling different people. With some it's better to lay all the stress on the bonuses, others you can scare in a subtle way with hints about what'll happen to their wives if they die uninsured.
The old car switchbacked up and down the curly little hills. And by God, what a day! You know the kind of day that generally comes some time in March when winter suddenly seems to give up fighting. For days past we'd been having the kind of beastly weather that people call 'bright' weather, when the sky's a cold hard blue and the wind scrapes you like a blunt razor-blade. Then suddenly the wind had dropped and the sun got a chance. You know the kind of day. Pale yellow sunshine, not a leaf stirring, a touch of mist in the far distance where you could see the sheep scattered over the hillsides like lumps of chalk. And down in the valleys fires were burning, and the smoke twisted slowly upwards and melted into the mist. I'd got the road to myself. It was so warm you could almost have taken your clothes off.
I got to a spot where the grass beside the road was smothered in primroses. A patch of clayey soil, perhaps. Twenty yards farther on I slowed down and stopped. The weather was too good to miss. I felt I'd got to get out and have a smell at the spring air, and perhaps even pick a few primroses if there was nobody coming. I even had some vague notion of picking a bunch of them to take home to Hilda.
I switched the engine off and got out. I never like leaving the old car running in neutral, I'm always half afraid she'll shake her mudguards off or something. She's a 1927 model, and she's done a biggish mileage. When you lift the bonnet and look at the engine it reminds you of the old Austrian Empire, all tied together with bits of string but somehow keeps plugging along. You wouldn't believe any machine could vibrate in so many directions at once. It's like the motion of the earth, which has twenty-two different kinds of wobble, or so I remember reading. If you look at her from behind when she's running in neutral it's for all the world like watching one of those Hawaiian girls dancing the hula-hula.
There was a five-barred gate beside the road. I strolled over and leaned across it. Not a soul in sight. I hitched my hat back a bit to get the kind of balmy feeling of the air against my forehead. The grass under the hedge was full of primroses. Just inside the gate a tramp or somebody had left the remains of a fire. A little pile of white embers and a wisp of smoke still oozing out of them. Farther along there was a little bit of a pool, covered over with duck-weed. The field was winter wheat. It sloped up sharply, and then there was a fall of chalk and a little beech spinney. A kind of mist of young leaves on the trees. And utter stillness everywhere. Not even enough wind to stir the ashes of the fire. A lark singing somewhere, otherwise not a sound, not even an aeroplane.
I stayed there for a bit, leaning over the gate. I was alone, quite alone. I was looking at the field, and the field was looking at me. I felt-I wonder whether you'll understand.
What I felt was something that's so unusual nowadays that to say it sounds like foolishness. I felt HAPPY. I felt that though I shan't live for ever, I'd be quite ready to. If you like you can say that that was merely because it was the first day of spring. Seasonal effect on the sex-glands, or something. But there was more to it than that. Curiously enough, the thing that had suddenly convinced me that life was worth living, more than the primroses or the young buds on the hedge, was that bit of fire near the gate. You know the look of a wood fire on a still day. The sticks that have gone all to white ash and still keep the shape of sticks, and under the ash the kind of vivid red that you can see into. It's curious that a red ember looks more alive, gives you more of a feeling of life than any living thing. There's something about it, a kind of intensity, a vibration-I can't think of the exact words. But it lets you know that you're alive yourself. It's the spot on the picture that makes you notice everything else.
I bent down to pick a primrose. Couldn't reach it-too much belly. I squatted down on my haunches and picked a little bunch of them. Lucky there was no one to see me. The leaves were kind of crinkly and shaped like rabbits' ears. I stood up and put my bunch of primroses on the gatepost. Then on an impulse I slid my false teeth out of my mouth and had a look at them.
If I'd had a mirror I'd have looked at the whole of myself, though, as a matter of fact, I knew what I looked like already. A fat man of forty-five, in a grey herring-bone suit a bit the worse for wear and a bowler hat. Wife, two kids, and a house in the suburbs written all over me. Red face and boiled blue eyes. I know, you don't have to tell me. But the thing that struck me, as I gave my dental plate the once-over before slipping it back into my mouth, was that IT DOESN'T MATTER. Even false teeth don't matter. I'm fat-yes. I look like a bookie's unsuccessful brother-yes. No woman will ever go to bed with me again unless she's paid to. I know all that. But I tell you I don't care. I don't want the women, I don't even want to be young again. I only want to be alive. And I was alive that moment when I stood looking at the primroses and the red embers under the hedge. It's a feeling inside you, a kind of peaceful feeling, and yet it's like a flame.
Farther down the hedge the pool was covered with duck-weed, so like a carpet that if you didn't know what duck-weed was you might think it was solid and step on it. I wondered why it is that we're all such bloody fools. Why don't people, instead of the idiocies they do spend their time on, just walk round LOOKING at things? That pool, for instance-all the stuff that's in it. Newts, water- snails, water-beetles, caddis-flies, leeches, and God knows how many other things that you can only see with a microscope. The mystery of their lives, down there under water. You could spend a lifetime watching them, ten lifetimes, and still you wouldn't have got to the end even of that one pool. And all the while the sort of feeling of wonder, the peculiar flame inside you. It's the only thing worth having, and we don't want it.
But I do want it. At least I thought so at that moment. And don't mistake what I'm saying. To begin with, unlike most Cockneys, I'm not soppy about 'the country'. I was brought up a damn sight too near to it for that. I don't want to stop people living in towns, or in suburbs for that matter. Let 'em live where they like. And I'm not suggesting that the whole of humanity could spend the whole of their lives wandering round picking primroses and so forth. I know perfectly well that we've got to work. It's only because chaps are coughing their lungs out in mines and girls are hammering at typewriters that anyone ever has time to pick a flower. Besides, if you hadn't a full belly and a warm house you wouldn't want to pick flowers. But that's not the point. Here's this feeling that I get inside me-not often, I admit, but now and again. I know it's a good feeling to have. What's more, so does everybody else, or nearly everybody. It's just round the corner all the time, and we all know it's there. Stop firing that machine-gun! Stop chasing whatever you're chasing! Calm down, get your breath back, let a bit of peace seep into your bones. No use. We don't do it. Just keep on with the same bloody fooleries.
And the next war coming over the horizon, 1941, they say. Three more circles of the sun, and then we whizz straight into it. The bombs diving down on you like black cigars, and the streamlined bullets streaming from the Bren machine-guns. Not that that worries me particularly. I'm too old to fight. There'll be air- raids, of course, but they won't hit everybody. Besides, even if that kind of danger exists, it doesn't really enter into one's thoughts beforehand. As I've said several times already, I'm not frightened of the war, only the after-war. And even that isn't likely to affect me personally. Because who'd bother about a chap like me? I'm too fat to be a political suspect. No one would bump me off or cosh me with a rubber truncheon. I'm the ordinary middling kind that moves on when the policeman tells him. As for Hilda and the kids, they'd probably never notice the difference. And yet it frightens me. The barbed wire! The slogans! The enormous faces! The cork-lined cellars where the executioner plugs you from behind! For that matter it frightens other chaps who are intellectually a good deal dumber than I am. But why! Because it means good-bye to this thing I've been telling you about, this special feeling inside you. Call it peace, if you like. But when I say peace I don't mean absence of war, I mean peace, a feeling in your guts. And it's gone for ever if the rubber truncheon boys get hold of us.
I picked up my bunch of primroses and had a smell at them. I was thinking of Lower Binfield. It was funny how for two months past it had been in and out of my mind all the time, after twenty years during which I'd practically forgotten it. And just at this moment there was the zoom of a car coming up the road.
It brought me up with a kind of jolt. I suddenly realized what I was doing-wandering round picking primroses when I ought to have been going through the inventory at that ironmonger's shop in Pudley. What was more, it suddenly struck me what I'd look like if those people in the car saw me. A fat man in a bowler hat holding a bunch of primroses! It wouldn't look right at all. Fat men mustn't pick primroses, at any rate in public. I just had time to chuck them over the hedge before the car came in sight. It was a good job I'd done so. The car was full of young fools of about twenty. How they'd have sniggered if they'd seen me! They were all looking at me-you know how people look at you when they're in a car coming towards you-and the thought struck me that even now they might somehow guess what I'd been doing. Better let 'em think it was something else. Why should a chap get out of his car at the side of a country road? Obvious! As the car went past I pretended to be doing up a fly-button.
I cranked up the car (the self-starter doesn't work any longer) and got in. Curiously enough, in the very moment when I was doing up the fly-button, when my mind was about three-quarters full of those young fools in the other car, a wonderful idea had occurred to me.
I'd go back to Lower Binfield!
Why not? I thought as I jammed her into top gear. Why shouldn't I? What was to stop me? And why the hell hadn't I thought of it before? A quiet holiday in Lower Binfield-just the thing I wanted.
Don't imagine that I had any ideas of going back to LIVE in Lower Binfield. I wasn't planning to desert Hilda and the kids and start life under a different name. That kind of thing only happens in books. But what was to stop me slipping down to Lower Binfield and having a week there all by myself, on the Q.T.?
I seemed to have it all planned out in my mind already. It was all right as far as the money went. There was still twelve quid left in that secret pile of mine, and you can have a very comfortable week on twelve quid. I get a fortnight's holiday a year, generally in August or September. But if I made up some suitable story- relative dying of incurable disease, or something-I could probably get the firm to give me my holiday in two separate halves. Then I could have a week all to myself before Hilda knew what was happening. A week in Lower Binfield, with no Hilda, no kids, no Flying Salamander, no Ellesmere Road, no rumpus about the hire- purchase payments, no noise of traffic driving you silly-just a week of loafing round and listening to the quietness?
But why did I want to go back to Lower Binfield? you say. Why Lower Binfield in particular? What did I mean to do when I got there?
I didn't mean to do anything. That was part of the point. I wanted peace and quiet. Peace! We had it once, in Lower Binfield. I've told you something about our old life there, before the war. I'm not pretending it was perfect. I dare say it was a dull, sluggish, vegetable kind of life. You can say we were like turnips, if you like. But turnips don't live in terror of the boss, they don't lie awake at night thinking about the next slump and the next war. We had peace inside us. Of course I knew that even in Lower Binfield life would have changed. But the place itself wouldn't have. There'd still be the beech woods round Binfield House, and the towpath down by Burford Weir, and the horse-trough in the market-place. I wanted to get back there, just for a week, and let the feeling of it soak into me. It was a bit like one of these Eastern sages retiring into a desert. And I should think, the way things are going, there'll be a good many people retiring into the desert during the next few years. It'll be like the time in ancient Rome that old Porteous was telling me about, when there were so many hermits that there was a waiting list for every cave.
But it wasn't that I wanted to watch my navel. I only wanted to get my nerve back before the bad times begin. Because does anyone who isn't dead from the neck up doubt that there's a bad time coming? We don't even know what it'll be, and yet we know it's coming. Perhaps a war, perhaps a slump-no knowing, except that it'll be something bad. Wherever we're going, we're going downwards. Into the grave, into the cesspool-no knowing. And you can't face that kind of thing unless you've got the right feeling inside you. There's something that's gone out of us in these twenty years since the war. It's a kind of vital juice that we've squirted away until there's nothing left. All this rushing to and fro! Everlasting scramble for a bit of cash. Everlasting din of buses, bombs, radios, telephone bells. Nerves worn all to bits, empty places in our bones where the marrow ought to be.
I shoved my foot down on the accelerator. The very thought of going back to Lower Binfield had done me good already. You know the feeling I had. Coming up for air! Like the big sea-turtles when they come paddling up to the surface, stick their noses out and fill their lungs with a great gulp before they sink down again among the seaweed and the octopuses. We're all stifling at the bottom of a dustbin, but I'd found the way to the top. Back to Lower Binfield! I kept my foot on the accelerator until the old car worked up to her maximum speed of nearly forty miles an hour. She was rattling like a tin tray full of crockery, and under cover of the noise I nearly started singing.
Of course the fly in the milk-jug was Hilda. That thought pulled me up a bit. I slowed down to about twenty to think it over.
There wasn't much doubt Hilda would find out sooner or later. As to getting only a week's holiday in August, I might be able to pass that off all right. I could tell her the firm were only giving me a week this year. Probably she wouldn't ask too many questions about that, because she'd jump at the chance of cutting down the holiday expenses. The kids, in any case, always stay at the seaside for a month. Where the difficulty came in was finding an alibi for that week in May. I couldn't just clear off without notice. Best thing, I thought, would be to tell her a good while ahead that I was being sent on some special job to Nottingham, or Derby, or Bristol, or some other place a good long way away. If I told her about it two months ahead it would look as if I hadn't anything to hide.
But of course she'd find out sooner or later. Trust Hilda! She'd start off by pretending to believe it, and then, in that quiet, obstinate way she has, she'd nose out the fact that I'd never been to Nottingham or Derby or Bristol or wherever it might be. It's astonishing how she does it. Such perseverance! She lies low till she's found out all the weak points in your alibi, and then suddenly, when you've put your foot in it by some careless remark, she starts on you. Suddenly comes out with the whole dossier of the case. 'Where did you spend Saturday night? That's a lie! You've been off with a woman. Look at these hairs I found when I was brushing your waistcoat. Look at them! Is my hair that colour?' And then the fun begins. Lord knows how many times it's happened. Sometimes she's been right about the woman and sometimes she's been wrong, but the after-effects are always the same. Nagging for weeks on end! Never a meal without a row-and the kids can't make out what it's all about. The one completely hopeless thing would be to tell her just where I'd spent that week, and why. If I explained till the Day of Judgment she'd never believe that.
But, hell! I thought, why bother? It was a long way off. You know how different these things seem before and after. I shoved my foot down on the accelerator again. I'd had another idea, almost bigger than the first. I wouldn't go in May. I'd go in the second half of June, when the coarse-fishing season had started, and I'd go fishing!
Why not, after all? I wanted peace, and fishing is peace. And then the biggest idea of all came into my head and very nearly made me swing the car off the road.
I'd go and catch those big carp in the pool at Binfield House!
And once again, why not? Isn't it queer how we go through life, always thinking that the things we want to do are the things that can't be done? Why shouldn't I catch those carp? And yet, as soon as the idea's mentioned, doesn't it sound to you like something impossible, something that just couldn't happen? It seemed so to me, even at that moment. It seemed to me a kind of dope-dream, like the ones you have of sleeping with film stars or winning the heavyweight championship. And yet it wasn't in the least impossible, it wasn't even improbable. Fishing can be rented. Whoever owned Binfield House now would probably let the pool if they got enough for it. And Gosh! I'd be glad to pay five pounds for a day's fishing in that pool. For that matter it was quite likely that the house was still empty and nobody even knew that the pool existed.
I thought of it in the dark place among the trees, waiting for me all those years. And the huge black fish still gliding round it. Jesus! If they were that size thirty years ago, what would they be like now?
3
It was June the seventeenth, Friday, the second day of the coarse- fishing season.
I hadn't had any difficulty in fixing things with the firm. As for Hilda, I'd fitted her up with a story that was all shipshape and watertight. I'd fixed on Birmingham for my alibi, and at the last moment I'd even told her the name of the hotel I was going to stay at, Rowbottom's Family and Commercial. I happened to know the address because I'd stayed there some years earlier. At the same time I didn't want her writing to me at Birmingham, which she might do if I was away as long as a week. After thinking it over I took young Saunders, who travels for Glisso Floor Polish, partly into my confidence. He'd happened to mention that he'd be passing through Birmingham on the eighteenth of June, and I got him to promise that he'd stop on his way and post a letter from me to Hilda, addressed from Rowbottom's. This was to tell her that I might be called away and she'd better not write. Saunders understood, or thought he did. He gave me a wink and said I was wonderful for my age. So that settled Hilda. She hadn't asked any questions, and even if she turned suspicious later, an alibi like that would take some breaking.
I drove through Westerham. It was a wonderful June morning. A faint breeze blowing, and the elm tops swaying in the sun, little white clouds streaming across the sky like a flock of sheep, and the shadows chasing each other across the fields. Outside Westerham a Walls' Ice Cream lad, with cheeks like apples, came tearing towards me on his bike, whistling so that it went through your head. It suddenly reminded me of the time when I'd been an errand boy myself (though in those days we didn't have free-wheel bikes) and I very nearly stopped him and took one. They'd cut the hay in places, but they hadn't got it in yet. It lay drying in long shiny rows, and the smell of it drifted across the road and got mixed up with the petrol.
I drove along at a gentle fifteen. The morning had a kind of peaceful, dreamy feeling. The ducks floated about on the ponds as if they felt too satisfied to eat. In Nettlefield, the village beyond Westerham, a little man in a white apron, with grey hair and a huge grey moustache, darted across the green, planted himself in the middle of the road and began doing physical jerks to attract my attention. My car's known all along this road, of course. I pulled up. It's only Mr Weaver, who keeps the village general shop. No, he doesn't want to insure his life, nor his shop either. He's merely run out of change and wants to know whether I've got a quid's worth of 'large silver'. They never have any change in Nettlefield, not even at the pub.
I drove on. The wheat would have been as tall as your waist. It went undulating up and down the hills like a great green carpet, with the wind rippling it a little, kind of thick and silky- looking. It's like a woman, I thought. It makes you want to lie on it. And a bit ahead of me I saw the sign-post where the road forks right for Pudley and left for Oxford.
I was still on my usual beat, inside the boundary of my own 'district', as the firm calls it. The natural thing, as I was going westward, would have been to leave London along the Uxbridge Road. But by a kind of instinct I'd followed my usual route. The fact was I was feeling guilty about the whole business. I wanted to get well away before I headed for Oxfordshire. And in spite of the fact that I'd fixed things so neatly with Hilda and the firm, in spite of the twelve quid in my pocket-book and the suitcase in the back of the car, as I got nearer the crossroads I actually felt a temptation-I knew I wasn't going to succumb to it, and yet it was a temptation-to chuck the whole thing up. I had a sort of feeling that so long as I was driving along my normal beat I was still inside the law. It's not too late, I thought. There's still time to do the respectable thing. I could run into Pudley, for instance, see the manager of Barclay's Bank (he's our agent at Pudley) and find out if any new business had come in. For that matter I could even turn round, go back to Hilda, and make a clean breast of the plot.
I slowed down as I got to the corner. Should I or shouldn't I? For about a second I was really tempted. But no! I tooted the klaxon and swung the car westward, on to the Oxford road.
Well, I'd done it. I was on the forbidden ground. It was true that five miles farther on, if I wanted to, I could turn to the left again and get back to Westerham. But for the moment I was headed westward. Strictly speaking I was in flight. And what was curious, I was no sooner on the Oxford road than I felt perfectly certain that THEY knew all about it. When I say THEY I mean all the people who wouldn't approve of a trip of this kind and who'd have stopped me if they could-which, I suppose, would include pretty well everybody.
What was more, I actually had a feeling that they were after me already. The whole lot of them! All the people who couldn't understand why a middle-aged man with false teeth should sneak away for a quiet week in the place where he spent his boyhood. And all the mean-minded bastards who COULD understand only too well, and who'd raise heaven and earth to prevent it. They were all on my track. It was as if a huge army were streaming up the road behind me. I seemed to see them in my mind's eye. Hilda was in front, of course, with the kids tagging after her, and Mrs Wheeler driving her forward with a grim, vindictive expression, and Miss Minns rushing along in the rear, with her pince-nez slipping down and a look of distress on her face, like the hen that gets left behind when the others have got hold of the bacon rind. And Sir Herbert Crum and the higher-ups of the Flying Salamander in their Rolls- Royces and Hispano-Suizas. And all the chaps at the office, and all the poor down-trodden pen-pushers from Ellesmere Road and from all such other roads, some of them wheeling prams and mowing- machines and concrete garden-rollers, some of them chugging along in little Austin Sevens. And all the soul-savers and Nosey Parkers, the people whom you've never seen but who rule your destiny all the same, the Home Secretary, Scotland Yard, the Temperance League, the Bank of England, Lord Beaverbrook, Hitler and Stalin on a tandem bicycle, the bench of Bishops, Mussolini, the Pope-they were all of them after me. I could almost hear them shouting:
'There's a chap who thinks he's going to escape! There's a chap who says he won't be streamlined! He's going back to Lower Binfield! After him! Stop him!'
It's queer. The impression was so strong that I actually took a peep through the little window at the back of the car to make sure I wasn't being followed. Guilty conscience, I suppose. But there was nobody. Only the dusty white road and the long line of the elms dwindling out behind me.
I trod on the gas and the old car rattled into the thirties. A few minutes later I was past the Westerham turning. So that was that. I'd burnt my boats. This was the idea which, in a dim sort of way, had begun to form itself in my mind the day I got my new false teeth.
PART IV
1
I came towards Lower Binfield over Chamford Hill. There are four roads into Lower Binfield, and it would have been more direct to go through Walton. But I'd wanted to come over Chamford Hill, the way we used to go when we biked home from fishing in the Thames. When you get just past the crown of the hill the trees open out and you can see Lower Binfield lying in the valley below you.
It's a queer experience to go over a bit of country you haven't seen in twenty years. You remember it in great detail, and you remember it all wrong. All the distances are different, and the landmarks seem to have moved about. You keep feeling, surely this hill used to be a lot steeper-surely that turning was on the other side of the road? And on the other hand you'll have memories which are perfectly accurate, but which only belong to one particular occasion. You'll remember, for instance, a corner of a field, on a wet day in winter, with the grass so green that it's almost blue, and a rotten gatepost covered with lichen and a cow standing in the grass and looking at you. And you'll go back after twenty years and be surprised because the cow isn't standing in the same place and looking at you with the same expression.
As I drove up Chamford Hill I realized that the picture I'd had of it in my mind was almost entirely imaginary. But it was a fact that certain things had changed. The road was tarmac, whereas in the old days it used to be macadam (I remember the bumpy feeling of it under the bike), and it seemed to have got a lot wider. And there were far less trees. In the old days there used to be huge beeches growing in the hedgerows, and in places their boughs met across the road and made a kind of arch. Now they were all gone. I'd nearly got to the top of the hill when I came on something which was certainly new. To the right of the road there was a whole lot of fake-picturesque houses, with overhanging eaves and rose pergolas and what-not. You know the kind of houses that are just a little too high-class to stand in a row, and so they're dotted about in a kind of colony, with private roads leading up to them. And at the entrance to one of the private roads there was a huge white board which said:
THE KENNELS
PEDIGREE SEALYHAM PUPS
DOGS BOARDED
Surely THAT usen't to be there?
I thought for a moment. Yes, I remembered! Where those houses stood there used to be a little oak plantation, and the trees grew too close together, so that they were very tall and thin, and in spring the ground underneath them used to be smothered in anemones. Certainly there were never any houses as far out of the town as this.
I got to the top of the hill. Another minute and Lower Binfield would be in sight. Lower Binfield! Why should I pretend I wasn't excited? At the very thought of seeing it again an extraordinary feeling that started in my guts crept upwards and did something to my heart. Five seconds more and I'd be seeing it. Yes, here we are! I declutched, trod on the foot-brake, and-Jesus!
Oh, yes, I know you knew what was coming. But _I_ didn't. You can say I was a bloody fool not to expect it, and so I was. But it hadn't even occurred to me.
The first question was, where WAS Lower Binfield?
I don't mean that it had been demolished. It had merely been swallowed. The thing I was looking down at was a good-sized manufacturing town. I remember-Gosh, how I remember! and in this case I don't think my memory is far out-what Lower Binfield used to look like from the top of Chamford Hill. I suppose the High Street was about a quarter of a mile long, and except for a few outlying houses the town was roughly the shape of a cross. The chief landmarks were the church tower and the chimney of the brewery. At this moment I couldn't distinguish either of them. All I could see was an enormous river of brand-new houses which flowed along the valley in both directions and half-way up the hills on either side. Over to the right there were what looked like several acres of bright red roofs all exactly alike. A big Council housing estate, by the look of it.
But where was Lower Binfield? Where was the town I used to know? It might have been anywhere. All I knew was that it was buried somewhere in the middle of that sea of bricks. Of the five or six factory chimneys that I could see, I couldn't even make a guess at which belonged to the brewery. Towards the eastern end of the town there were two enormous factories of glass and concrete. That accounts for the growth of the town, I thought, as I began to take it in. It occurred to me that the population of this place (it used to be about two thousand in the old days) must be a good twenty-five thousand. The only thing that hadn't changed, seemingly, was Binfield House. It wasn't much more than a dot at that distance, but you could see it on the hillside opposite, with the beech trees round it, and the town hadn't climbed that high. As I looked a fleet of black bombing planes came over the hill and zoomed across the town.
I shoved the clutch in and started slowly down the hill. The houses had climbed half-way up it. You know those very cheap small houses which run up a hillside in one continuous row, with the roofs rising one above the other like a flight of steps, all exactly the same. But a little before I got to the houses I stopped again. On the left of the road there was something else that was quite new. The cemetery. I stopped opposite the lych- gate to have a look at it.
It was enormous, twenty acres, I should think. There's always a kind of jumped-up unhomelike look about a new cemetery, with its raw gravel paths and its rough green sods, and the machine-made marble angels that look like something off a wedding-cake. But what chiefly struck me at the moment was that in the old days this place hadn't existed. There was no separate cemetery then, only the churchyard. I could vaguely remember the farmer these fields used to belong to-Blackett, his name was, and he was a dairy- farmer. And somehow the raw look of the place brought it home to me how things have changed. It wasn't only that the town had grown so vast that they needed twenty acres to dump their corpses in. It was their putting the cemetery out here, on the edge of the town. Have you noticed that they always do that nowadays? Every new town puts its cemetery on the outskirts. Shove it away-keep it out of sight! Can't bear to be reminded of death. Even the tombstones tell you the same story. They never say that the chap underneath them 'died', it's always 'passed away' or 'fell asleep'. It wasn't so in the old days. We had our churchyard plumb in the middle of the town, you passed it every day, you saw the spot where your grandfather was lying and where some day you were going to lie yourself. We didn't mind looking at the dead. In hot weather, I admit, we also had to smell them, because some of the family vaults weren't too well sealed.
I let the car run down the hill slowly. Queer! You can't imagine how queer! All the way down the hill I was seeing ghosts, chiefly the ghosts of hedges and trees and cows. It was as if I was looking at two worlds at once, a kind of thin bubble of the thing that used to be, with the thing that actually existed shining through it. There's the field where the bull chased Ginger Rodgers! And there's the place where the horse-mushrooms used to grow! But there weren't any fields or any bulls or any mushrooms. It was houses, houses everywhere, little raw red houses with their grubby window-curtains and their scraps of back-garden that hadn't anything in them except a patch of rank grass or a few larkspurs struggling among the weeds. And blokes walking up and down, and women shaking out mats, and snotty-nosed kids playing along the pavement. All strangers! They'd all come crowding in while my back was turned. And yet it was they who'd have looked on me as a stranger, they didn't know anything about the old Lower Binfield, they'd never heard of Shooter and Wetherall, or Mr Grimmett and Uncle Ezekiel, and cared less, you bet.
It's funny how quickly one adjusts. I suppose it was five minutes since I'd halted at the top of the hill, actually a bit out of breath at the thought of seeing Lower Binfield again. And already I'd got used to the idea that Lower Binfield had been swallowed up and buried like the lost cities of Peru. I braced up and faced it. After all, what else do you expect? Towns have got to grow, people have got to live somewhere. Besides, the old town hadn't been annihilated. Somewhere or other it still existed, though it had houses round it instead of fields. In a few minutes I'd be seeing it again, the church and the brewery chimney and Father's shop- window and the horse-trough in the market-place. I got to the bottom of the hill, and the road forked. I took the left-hand turning, and a minute later I was lost.
I could remember nothing. I couldn't even remember whether it was hereabouts that the town used to begin. All I knew was that in the old days this street hadn't existed. For hundreds of yards I was running along it-a rather mean, shabby kind of street, with the houses giving straight on the pavement and here and there a corner grocery or a dingy little pub-and wondering where the hell it led to. Finally I pulled up beside a woman in a dirty apron and no hat who was walking down the pavement. I stuck my head out of the window.
'Beg pardon-can you tell me the way to the market-place?'
She 'couldn't tell'. Answered in an accent you could cut with a spade. Lancashire. There's lots of them in the south of England now. Overflow from the distressed areas. Then I saw a bloke in overalls with a bag of tools coming along and tried again. This time I got the answer in Cockney, but he had to think for a moment.
'Market-place? Market-place? Lessee, now. Oh-you mean the OLE Market?'
I supposed I did mean the Old Market.
'Oh, well-you take the right 'and turning-'
It was a long way. Miles, it seemed to me, though really it wasn't a mile. Houses, shops, cinemas, chapels, football grounds-new, all new. Again I had that feeling of a kind of enemy invasion having happened behind my back. All these people flooding in from Lancashire and the London suburbs, planting themselves down in this beastly chaos, not even bothering to know the chief landmarks of the town by name. But I grasped presently why what we used to call the market-place was now known as the Old Market. There was a big square, though you couldn't properly call it a square, because it was no particular shape, in the middle of the new town, with traffic-lights and a huge bronze statue of a lion worrying an eagle-the war-memorial, I suppose. And the newness of everything! The raw, mean look! Do you know the look of these new towns that have suddenly swelled up like balloons in the last few years, Hayes, Slough, Dagenham, and so forth? The kind of chilliness, the bright red brick everywhere, the temporary-looking shop-windows full of cut-price chocolates and radio parts. It was just like that. But suddenly I swung into a street with older houses. Gosh! The High Street!
After all my memory hadn't played tricks on me. I knew every inch of it now. Another couple of hundred yards and I'd be in the market-place. The old shop was down the other end of the High Street. I'd go there after lunch-I was going to put up at the George. And every inch a memory! I knew all the shops, though all the names had changed, and the stuff they dealt in had mostly changed as well. There's Lovegrove's! And there's Todd's! And a big dark shop with beams and dormer windows. Used to be Lilywhite's the draper's, where Elsie used to work. And Grimmett's! Still a grocer's apparently. Now for the horse-trough in the market-place. There was another car ahead of me and I couldn't see.
It turned aside as we got into the market-place. The horse-trough was gone.
There was an A.A. man on traffic-duty where it used to stand. He gave a glance at the car, saw that it hadn't the A.A. sign, and decided not to salute.
I turned the corner and ran down to the George. The horse-trough being gone had thrown me out to such an extent that I hadn't even looked to see whether the brewery chimney was still standing. The George had altered too, all except the name. The front had been dolled up till it looked like one of those riverside hotels, and the sign was different. It was curious that although till that moment I hadn't thought of it once in twenty years, I suddenly found that I could remember every detail of the old sign, which had swung there ever since I could remember. It was a crude kind of picture, with St George on a very thin horse trampling on a very fat dragon, and in the corner, though it was cracked and faded, you could read the little signature, 'Wm. Sandford, Painter & Carpenter'. The new sign was kind of artistic-looking. You could see it had been painted by a real artist. St George looked a regular pansy. The cobbled yard, where the farmers' traps used to stand and the drunks used to puke on Saturday nights, had been enlarged to about three times its size and concreted over, with garages all round it. I backed the car into one of the garages and got out.
One thing I've noticed about the human mind is that it goes in jerks. There's no emotion that stays by you for any length of time. During the last quarter of an hour I'd had what you could fairly describe as a shock. I'd felt it almost like a sock in the guts when I stopped at the top of Chamford Hill and suddenly realized that Lower Binfield had vanished, and there'd been another little stab when I saw the horse-trough was gone. I'd driven through the streets with a gloomy, Ichabod kind of feeling. But as I stepped out of the car and hitched my trilby hat on to my head I suddenly felt that it didn't matter a damn. It was such a lovely sunny day, and the hotel yard had a kind of summery look, with its flowers in green tubs and what-not. Besides, I was hungry and looking forward to a spot of lunch.
I strolled into the hotel with a consequential kind of air, with the boots, who'd already nipped out to meet me, following with the suitcase. I felt pretty prosperous, and probably I looked it. A solid business man, you'd have said, at any rate if you hadn't seen the car. I was glad I'd come in my new suit-blue flannel with a thin white stripe, which suits my style. It has what the tailor calls a 'reducing effect'. I believe that day I could have passed for a stockbroker. And say what you like it's a very pleasant thing, on a June day when the sun's shining on the pink geraniums in the window-boxes, to walk into a nice country hotel with roast lamb and mint sauce ahead of you. Not that it's any treat to me to stay in hotels, Lord knows I see all too much of them-but ninety- nine times out of a hundred it's those godless 'family and commercial' hotels, like Rowbottom's, where I was supposed to be staying at present, the kind of places where you pay five bob for bed and breakfast, and the sheets are always damp and the bath taps never work. The George had got so smart I wouldn't have known it. In the old days it had hardly been a hotel, only a pub, though it had a room or two to let and used to do a farmers' lunch (roast beef and Yorkshire, suet dumpling and Stilton cheese) on market days. It all seemed different except for the public bar, which I got a glimpse of as I went past, and which looked the same as ever. I went up a passage with a soft carpet, and hunting prints and copper warming-pans and such-like junk hanging on the walls. And dimly I could remember the passage as it used to be, the hollowed- out flags underfoot, and the smell of plaster mixed up with the smell of beer. A smart-looking young woman, with frizzed hair and a black dress, who I suppose was the clerk or something, took my name at the office.
'You wish for a room, sir? Certainly, sir. What name shall I put down, sir?'
I paused. After all, this was my big moment. She'd be pretty sure to know the name. It isn't common, and there are a lot of us in the churchyard. We were one of the old Lower Binfield families, the Bowlings of Lower Binfield. And though in a way it's painful to be recognized, I'd been rather looking forward to it.
'Bowling,' I said very distinctly. 'Mr George Bowling.'
'Bowling, sir. B-O-A-oh! B-O-W? Yes, sir. And you are coming from London, sir?'
No response. Nothing registered. She'd never heard of me. Never heard of George Bowling, son of Samuel Bowling-Samuel Bowling who, damn it! had had his half-pint in this same pub every Saturday for over thirty years.