Zenga, Ten Ox Herding Pictures
by 直原玉青 Jikihara Gyokusei (1904-2005)
and 柴山全慶 Shibayama Zenkei (1894-1974)
A published set of 10 Zen
Scrolls by Jikihara Gyokusei and Shibayama Zenkei showing the 10 stages of
enlightenment through the parable of the bull and the ox-herd. Ink on paper in
blue silk border with wood rollers. Each scroll measures 44 x
*Zenkei Shibayama and Gyokusei Jikihara: Zen Jūgyūzu – Zen Oxherding Pictures, Tokyo: Sōgen-sha, 1975.
Cf. Zenkei Shibayama: Jūgyūzu, Tokyo: Kōbundō, 1941, repr. 1954.
The Ten Ox Herding Pictures are inspired from the Chinese Zen Master 廓庵師遠 Kuoan Shiyuan in the 12th century to illustrate the stages of enlightenment in Mahayana Buddhism as illustrated in the original Avatamsaka Sutra. The pictures tell the story of an Ox herder (an ordinary person) who must go in search of his lost charge (the true self, the Buddha Nature). Wandering through the wilderness he searches until finally finding its tracks, he follows, captures, then must tame the beast through discipline. Following is realization and the two become one and return home. Then transcend their own self-imposed boundaries and perceptions. All is overcome and the practitioner reaches enlightenment and can return to society where his image inspires others.
A similar pair by Gyokusei
reside in the Zen Mountain Monastery of New York. Zenkei and Gyokusei also
co-authored a book on the Zen Oxherding pictures in 1967. Another thing special
about these is they show the friendship between Zenkei and Gyokusei, and it
is through the chance meeting of Zenkei and Michael Hoffman, the prominent
American ink painter, at the Zen center in Los Angeles, that Zenkei introduced
him to Gyokusei, who would become Michaels life-long Mentor.
柴山全慶 Shibayama Zenkei (1894-1974), a former Abbot of Nanzenji and was a Rinzai master well-known for his commentary on the Mumonkan. One of his better-known students is Fukushima Keido former abbot of Tofukuji. Shibayama also taught at Otani University and was the head abbot of the entire Nanzenji Organization, overseeing the administration of over five hundred temples. Due to a number of lecture tours he undertook to the United States in the 1960s, and the translation of several of his books into English, Shibayama was a significant contributor to the establishment of Zen in America
直原玉青 Jikihara Gyokusei (1904-2005) was born in Okayama prefecture, and graduated the Osaka Municipal School of Art where he had studied under Yano Kyoson. He was accepted into the Nanga-In Ten National Nanga Exhibition in 1930. Subsequently his fame as an artist grew, exhibiting at the Teiten and subsequent Nitten National Exhibitions as well, however his yearning for something more grew as well. In 1956 he entered Nanzenji to study under Shibayama and a lifelong friendship was born. As an artist he received many awards throughout his career and was honored with the Hyogo Prefectural Cultural Citation. He also became the head of his own Zen Temple and helped to further the teaching of Zen in Japan and in America.
Artist and philosopher Ichigai Kanamori has been practising his unique style of zenga for many years. Born in Osaka in 1941, he began his artistic career with brush ink art and calligraphy, drawing inspiration from ancient Zen Buddhist poetry and teachings. Kanamori works from his studio in Niigata, on the Japan Sea coast, where he established Gallery Kanzan ("Cold Mountain") in 1991.
He opened his first exhibition in Shinjuku, Tokyo, in 1986; in the years since, he has held many exhibitions throughout Japan and overseas, including New Zealand in 2002. This will be his first major exhibition in Australia.
Kanamori has also published a number of books, including Ichigai's Ink Brush Portfolio (1989), a collection of his paintings, and Hotei no Fukuro (1995), a collection of haiku, philosophy and ink paintings. He has also provided artistic design to the play Hana no Sho (2004). His interests extend beyond Zen Buddhism and philosophy: as an avid fan of classical music, Kanamori has also released a series of artworks dedicated to the prolific eighteenth century composer Mozart.
Kanamori says of his art, "the reason I started drawing was to visually express Zen philosophies. What motivated me the most was my admiration for the way a drawing sympathises with poetry and calligraphy on one piece of paper. I felt that traditional Zen art had fallen victim to tradition and lost some of its spiritual message. To put Zen back on front stage I have used contrasts of thick and thin brush strokes, adding gold and silver colours, radically departing from the more delicate style of Buddhist paintings in the traditional Southern School of art in China."
Each zenga: 47cm x 46cm
© 1997 ichigai-zenart.com